the shepheardes calender: october summary

T. WARTON. There may thy Muse display her fluttering Wing, And stretch her self at large from East to West; Whither thou list in fair Elisa rest, Or if thee please in bigger Notes to sing, Advance the Worthy whom she loveth best, That first the white Bear to the Stake did bring. Book II. 1590: Faerie Queene. summary of The Shepherd's Calendar - October. 1590: Faerie Queene. Book IV. Pierce & Cuddie. Or feedes him once the fuller by a graine? CUDDY'S EMBLEM. Complete summary of Edmund Spenser's The Shepheardes Calender. 1579: Shepheardes Calender XII: December. A Pastoral Elegie upon the Death of the most noble and valorous Knight, Sir Philip Sidney. 1590: The First Book of the Faerie Queene. 1590: Faerie Queene. Book VI. 1596: Faerie Queene. Canto VI. Canto X. I beat the Bush, the Birds to them do fly: What good thereof to Cuddy can arise? And thinks to throwe out thondring words of threate. Through his Mecænas left his oaten reede. Book IV. 1590: Faerie Queene. So mought our Cuddies name to heaven sownde. 1596: The Fourth Booke of the Faerie Queene. 1590: Faerie Queene. Formerly translated. }`�F[ב'���&>�ɓ-dE��?�)�6$� k >8�@rT�ShX[j������+�(W�V���6%p��q�!���?u������P�S����U;��¿~V9^��nXGUL���? "And carol lowd of love and love's delight." 1590: Faerie Queene. 1596: An Hymne in Honour of Heavenly Love. Canto XI. If you write a school or university poetry essay, you should Include in your explanation of the poem: Good luck in your poetry interpretation practice! 1596: The Faerie Queene. 0000004865 00000 n This eclogue, on the theme of poetic ambition, was recalled by generations of later pastoralists. 1596: The Faerie Queene. Who ever casts to compasse weightye prise. 0000004914 00000 n Book I. Canto VIII. Advaunce the worthy whome shee loveth best. Ne brest of baser birth doth thee embrace. 1596: The Sixte Booke of the Faerie Queene. Cantos VII and VIII. Book II. To put in preace emong the learned troupe. Canto XI. 1590: The Third Booke of the Faerie Queene. 1590: Verses of the Author, with his Fairy-Queen, to several Persons of Quality. 1590: Faerie Queene. 1590: Faerie Queene. ÿã²yQ`{˜+…>×»[çJ']Œð'“Ñ5Y [`ŽiÃ2X؇ÅÓ ufrÀS7éæA€^¥É[Áù‹: ^AqœèàÓé±vŠê ç¯môà#€Â:æo n‹P‡ Sike prayse is smoke, that sheddeth in the skye. The Shepheardes Calender conteyning Twelve Aeglogues proportionable to the Twelve Monethes. Whilome thou wont the shepheards laddes to leade, In rymes, in ridles, and in bydding base: Now they in thee, and thou in sleepe art dead? So praysen Babes the Peacock's spotted Train, And wondren at bright Argus' blazing Eye; But who rewards him ere the more for-thy? 1596: The Faerie Queene. 1590: Faerie Queene. 1679: The Works of that famous English Poet, Mr. Edmond Spenser. And eft did sing of warres and deadly drede. Book V. Canto VII. 1590: Faerie Queene. 1590: Faerie Queene. 0000080694 00000 n Canto IX. 1747: Anonymous, The Tears of the Muses. 1795: Spensers Feenkonigin I, 1. O fortunato, che si chiara tromba Trovasti,’ &c. ‘The silver swanne doth sing before her dying day. Book II. To doubted knights, whose woundlesse armour rusts. from The Shepheardes Calender: October By Edmund Spenser. Seemeth thou doost their Soul of Sense bereave, All as the Shepherd, that did fetch his Dame From Pluto's baleful Bower withouten leave: His Musick's Might the hellish Hound did tame. Or it mens follies mote be forst to fayne. Piers commends Cuddy for his Skill in this Art: Cuddy complains of the little Encouragement given to it; and being prompted by Piers to leave the ordinary Themes of Shepherds, and to chuse some Subject of Heroick Song, takes occasion to mention Colin, as best qualify'd for such an Attempt, if his Mind were not perplex'd with unprosperous Love" Works of Spenser (1715) 4:1101. Mecoenas is yclad in Clay, And great Augustus long ygo is dead; And all the worthies liggen wrapt in Lead, That matter made for Poets on to play. But ah, my Courage cools ere it be warm, For-thy content us in this humble Shade: Where no such troublous Tides han us assaid, Here we our slender Pipes may safely charm. Thou kenst not, Percie, how the Rime should rage; O if my Temples were distain'd with Wine, And girt in Girlonds of wild Ivy Twine, How I could rear the Muse on stately Stage, And teach her tread aloft in Buskin line, With queint Bellona in her Equipage. 1579: Shepheardes Calender VIIII: September. That, where he rules, all power he doth expell. With an exact Collation of the Two Original Editions. Contayning the Legende of the Knight of the Red-Crosse, or of Holinesse. Canto VI. Book V. Canto II. 1596: The Faerie Queene. Whereon he earst had taught his flocks to feede. Canto VII. Book IV. H�b```f``Qa`e`��bb@ (��q �ݶ�T���w� ����%@, ��@~1�5��L�ۙ�3�iN�� �:��.��F����3�s���w�x���[�i�̹�4{ �"� endstream endobj 60 0 obj 134 endobj 32 0 obj << /Type /Page /Parent 27 0 R /Resources 33 0 R /Contents 44 0 R /MediaBox [ 0 0 612 792 ] /CropBox [ 0 0 612 792 ] /Rotate 0 >> endobj 33 0 obj << /ProcSet [ /PDF /Text /ImageC /ImageI ] /Font << /TT2 39 0 R /TT4 37 0 R /TT6 35 0 R /TT8 41 0 R /TT10 46 0 R /TT12 47 0 R >> /XObject << /Im1 58 0 R >> /ExtGState << /GS1 52 0 R >> /ColorSpace << /Cs6 42 0 R /Cs8 43 0 R >> >> endobj 34 0 obj << /Type /FontDescriptor /Ascent 891 /CapHeight 656 /Descent -216 /Flags 34 /FontBBox [ -568 -307 2000 1007 ] /FontName /CFDCKF+TimesNewRoman /ItalicAngle 0 /StemV 94 /XHeight 0 /FontFile2 56 0 R >> endobj 35 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 198 /Widths [ 250 0 0 0 0 0 778 0 333 333 0 0 250 333 250 278 500 500 500 500 500 500 500 500 500 500 278 278 0 0 0 444 0 722 667 667 722 611 556 722 722 333 0 722 611 889 722 722 556 722 667 556 611 0 722 944 0 722 0 333 0 333 0 0 0 444 500 444 500 444 333 500 500 278 278 500 278 778 500 500 500 500 333 389 278 500 500 722 500 500 444 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 333 444 444 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 400 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 889 ] /Encoding /WinAnsiEncoding /BaseFont /CFDCKF+TimesNewRoman /FontDescriptor 34 0 R >> endobj 36 0 obj << /Type /FontDescriptor /Ascent 905 /CapHeight 718 /Descent -211 /Flags 32 /FontBBox [ -665 -325 2000 1006 ] /FontName /CFDDIB+Arial /ItalicAngle 0 /StemV 94 /XHeight 515 /FontFile2 57 0 R >> endobj 37 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 176 /Widths [ 250 0 0 0 0 0 0 0 0 0 0 0 250 0 250 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 667 722 0 667 611 0 778 0 0 0 0 944 722 778 611 0 722 556 667 0 0 1000 0 722 0 0 0 0 0 0 0 500 556 444 556 444 333 500 556 278 0 556 278 833 556 500 556 556 444 389 333 556 500 722 0 500 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 400 ] /Encoding /WinAnsiEncoding /BaseFont /CFDBGK+TimesNewRoman,Bold /FontDescriptor 40 0 R >> endobj 38 0 obj << /Type /FontDescriptor /Ascent 891 /CapHeight 656 /Descent -216 /Flags 98 /FontBBox [ -547 -307 1206 1032 ] /FontName /CFDADA+TimesNewRoman,BoldItalic /ItalicAngle -15 /StemV 133 /FontFile2 50 0 R >> endobj 39 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 117 /Widths [ 250 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 667 0 667 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 556 611 0 0 0 0 0 0 0 0 0 0 0 0 500 0 0 500 444 0 500 556 278 0 0 278 0 556 0 500 0 389 389 0 556 ] /Encoding /WinAnsiEncoding /BaseFont /CFDADA+TimesNewRoman,BoldItalic /FontDescriptor 38 0 R >> endobj 40 0 obj << /Type /FontDescriptor /Ascent 891 /CapHeight 656 /Descent -216 /Flags 34 /FontBBox [ -558 -307 2000 1026 ] /FontName /CFDBGK+TimesNewRoman,Bold /ItalicAngle 0 /StemV 133 /FontFile2 51 0 R >> endobj 41 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 169 /Widths [ 278 0 355 0 0 0 0 191 333 333 0 0 278 0 278 0 0 556 0 0 0 556 0 556 0 556 0 0 0 0 0 0 0 667 667 0 0 667 0 778 0 278 0 667 556 0 722 778 0 0 0 667 611 722 667 0 0 0 0 0 0 0 0 0 0 556 556 500 556 556 278 556 556 222 222 500 222 833 556 556 556 0 333 500 278 556 500 722 500 500 500 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 222 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 737 ] /Encoding /WinAnsiEncoding /BaseFont /CFDDIB+Arial /FontDescriptor 36 0 R >> endobj 42 0 obj [ /ICCBased 53 0 R ] endobj 43 0 obj [ /Indexed 42 0 R 255 49 0 R ] endobj 44 0 obj << /Length 3052 /Filter /FlateDecode >> stream 1579: Shepheardes Calender II: Februarie. Compare Gabriel Harvey's "To the Learned Shepheard" prefixed to the 1590 Faerie Queene. In emulation of Virgil 's first work, the Eclogues, Spenser wrote this series of pastorals at the commencement of his career. A Pastoral Dialogue in imitation of Spencer's October. Or pricke them forth with pleasaunce of thy vaine. Book V. Canto III. And when the stubborn Stroke of stronger Stounds, Has somewhat slackt the Tenor of thy String; Of Love and Lustihead tho mayst thou sing, And carrol loud, and lead the Millers round; All were Elisa one of thilk same Ring, So mought our Cuddy's Name to Heaven sound. By Edmund Spenser. Canto XII. Cuddy, the Praise is better than the Price, The Glory eke much greater than the Gain: O what an honour is it, to restrain The Lust of lawless Youth with good Advice? And stretch her selfe at large from east to west: Or if thee please in bigger notes to sing. 1802: The Poetical Works of Edmund Spenser. Book V. Canto IX. Cuddye. Hughes (1715) 4:1102-05]. 1596: Faerie Queene. Here we our slender pipes may safely charme. 1739: Spenser's Amoretti, a Collection of Twenty-five Sonnets set to Music by Dr. Greene. 849. The punctuation marks are various. Book IV. 0000022732 00000 n The Shepheardes Calender: October. 1595: Astrophel. 0000008254 00000 n This poem is an obvious parody on Oxford’s laments in The Paradise of Dainty Devices (1576). John Hughes: "The following Aeglogue, which rises above the common Stile of Pastoral, is on the Subject of Poetry. The Shepheardes Calender conteyning Twelve Aeglogues proportionable to the Twelve Monethes. 1825: The Poetical Works of Edmund Spenser. Pierce. 'E�2/��tRdV��&�8��;r�f*�����F$� U]�ֈ���,�a�z�6B�~g��잿@7!�����2�ˠ'N�o`�Oh�F���2xO֦z|���4�U�=�%�T˜A����ڲF��?��1"E>Yơ�!En�6G`�8w�j�����=pӫ Ϭ&#i�Zu�h2�9�Un���$$-��"��Ah�^汷��5�j���/��{W�o�Q��fb�߯�!d#ꞻCM�>��d�g���p�(�+����R�ˉNof�o��Mo���)����&������h���X!���@J���gbH��Œ� �4�u�Oĥ����f��&�X��?�M`�4��xrQT(m�2�JB�k����mQ�9!YF(� 9/���Ӭ�T��5(�n�]�l�'Wwl��/���WU/(����P��3��/��i�0��������>�o����c[�R�+�s"]��.ӓ��Q���뮙���H������˱#z��1C�M��X�.m;�-ƦN��VS6�lA�-q��m=�2Sw��"�7�&6�̾j�pď�J��⭴�ʩ��+�g�S[O*��h~Ւ/��¹��9��t+���K��B\�t�]"�]B##,�ZqO��1�^��#����2Q��4�/�;/�)�>�HP��i�f�*Uc��*�D� CUDDY. Book V. Canto VI. Canto III. Book IV. That all mine oten reedes bene rent and wore: And my poore Muse hath spent her spared store. 1590: Faerie Queene. 1579: Shepheardes Calender VIII: August. 0000008041 00000 n Book VI. Book II. 1614: Christopher Brooke, To his Much Loved Friend Mr. W. Browne of the Inner Temple, D. D. 1614: William Browne of Tavistock, The Shepheards Pipe. 1580: To my long approoved and singular good Frende, Master G. H. 1590: A Letter of the Authors expounding his whole Intention in the course of this Worke. PIERCE & CUDDIE . The Shepheardes Calender, published anonymously in 1579 by Hugh Singleton, consists of twelve eclogues named for the twelve months, comprising together a year symbolic, in its turning of the seasons, of the whole of human life. 1596: Faerie Queene. To feede youthes fancie and the flocking fry. Book III. CUDDY. This is an analysis of the poem The Shepherd's Calendar - October that begins with: The information we provided is prepared by means of a special computer program. Book VI. In Eight Volumes. Book II. 1596: Faerie Queene. And sing of bloody Mars, of wars, of giusts: Turne thee to those that weld the awful crowne. *@Îqâ^½ Íè$¢;þÿ½úßïU Vgçía]åZ7K@0$“!1ÌÇJýï0` And carrol lowde, and leade the myllers rownde. 1590: Faerie Queene. Book II. Canto VIII. Selected notes from Todd's Works of Spenser (1805): And sing of bloody Mars, &c.] He seems now to have intended the Faerie Queen. Yet little good hath got, and much lesse gayne. CVddie, for shame hold vp thy heauye head, And let vs cast with what delight to chace: And weary thys long lingring Phoebus race.

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